Udaipur- Not just a city of lakes…

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What was it that I found most memorable in the city of Udaipur? Were they the beautiful palace hotels, the 7 lakes, the silence and serenity of this place, the perfect weather, our the Full moon night. The moon which seemed to be shining brighter than ever before….

The above were only a cherry on the cake. What really inspired me most was its rich culture and the rare tales of the bravest people, that this land has gifted India.

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“Located on the south western tip of Rajputana (the name of Rajasthan before independence) the small area of Mewar is one of the only princely states which was never under the Mughal or the British rule”

Really?  I asked Ran Vijay Singh ji (Our guide) as he continued…

I was bewildered by this unimaginable truth, how did the Mewar Kings have any chance against the mighty Mughal emperors and the modern British armies? Are there many states who can boast about such an achievement in India?

Ran Vijay Singh ji almost caught my mind. And with a smile told me, you will know everything in detail by the end of this tour of the grand city Palace of Udaipur.

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City Palace of Udaipur is one of the few heritage sites of India, which have been restored and conserved like a world heritage site, rightly should be. I have often walked into the most astounding pieces of architectures in our country, finding them in ruins now, feeling a sense of pain. Contrast to which was my experience of City palace Udaipur. Thanks to the commitment of Arvind singh ji popularly known as Sriji, the present king of Mewar dynasty, for his great efforts to preserve this invaluable legacy.

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The city palace took more than 400 years to be built and even today some construction goes on in this palace. The continuous construction being considered a sign of growth and prosperity by the locals.

 On the left of the Palaces’ main entrance is the private residence of the present king and on the right side the area open to public, now maintained as a museum.

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(The Private Residence)                                                                                  (The Museum)

The Palace was designed in such a way that it would help the king to equip himself quickly for an emergency. A situation, which must have been faced very often, by every Mewari king.

At this point, Shashwat curiously asked, Mummy why do all these city names end with a “PUR”  JaiPur, UdaiPur, JodhPur etc etc. Ofcourse I did not know, so I looked at our expert for a worthy answer.

To which he replied- most of the cities which were ruled by Hindu kings have their name ending with a “Pur” and those ruled by Mughals with a “Bad”, like AhmedaBad, HydreBad ,FerozaBad etc etc. I just nodded in agreement, after all one must believe an expert!!

The horse stables were located right across the palace in its courtyard. Like in Mumbai, now the Cars are parked across the multi-storied buildings. So that the ever racing Mumbaikar, who is always riding at the speed of a Ferrari, can hit the highway in no time.  Just kidding! 🙂 🙂 🙂   this was so that the horses could be made readily available to the kings as fast as possible. 

Also this is the only place on planet earth where there is also found an official parking for the elephants. How organized and well planned were Mewari’s, I thought…

Their planning was better than the modern day airports, for boarding their warships (horses and elephants) they did not require any special elevators, they had 2 Aerobridge (elevated extensions) built for the job. Which helped them board without any delay. The Mewari troops were often defending themselves against armies which were much bigger than their own size. And so needed much more planning to combat their enemies.

The palace had zig zag , uneven passages and shorter  gateways ( Mewari kings were short and their contemporary Mughal kings where much taller) The soldier would hide behind the doorways and when the Mughal soldier bent their neck to enter, their heads would be chopped.

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(Rana Sangram Singh-1)

An emblem on the main entrance caught my attention. In the center of the emblem was the Sun and on its each side was a man. By their clothes one looked like a king and the other looked like a tribal.

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A Tribal, next to a king, what did this signify?

To all the readers, share your thoughts on what can this signify.

For the answer, wait till the next post 🙂  Till then keep guessing.. 😉

– Vasudha Jhunjhunwala

Published by vasuaol

Ms. Vasudha Jhunjhunwala holds a Bachelor’s Degree in Fine Arts. She is associated with the Art of Living since year 2000. Born and brought up in a pink city Jaipur, Rajasthan she currently resides in Amchi Mumbai with her family. For nearly a decade, Vasudha has inspired more than 10,000 youths with her teachings and social work. She has undertaken various projects and has been an instrument of change for its success. Juggling between home and work, in her spare time Vasudha likes to paint, write poems, learn music and play badminton. She is a Social Worker, Entrepreneur, State Coordinator of The Art of Living, Student of Sanskrit & Classical Music, Writer, Homemaker, Mother, Meditation Teacher, Public Speaker, Recipient of CSO-2014 award by Dr. A.P.J Abdul Kalam and has travelled in 30 Countries. She is a quintessential deshbhakt. It is difficult to match her youthful Energy. Vasudha is extremely passionate about her initiatives. One of the most successful projects lead by her was the ‘Vote For a Better India’ - A campaign that facilitated the voter registration process and lead to 5 lakh citizens new voter registration across India in 2014 Lok Sabha Elections. Bringing more awareness to the people in the community she began the initiative ‘Mind your Vehicle’ - A project to sensitize citizens towards traffic discipline with 2000 volunteers in Mumbai. The project saw good media coverage. She was also the founding member of ‘Save Aarey’ project. In this project more than 300 volunteers cleared 5-truck loads of garbage from Aarey colony. With an aim to instill a sense of responsibility and nationalism among the youth, she has spearheaded several initiatives that included women’s safety drives, blood donation drives, cleanliness drives at railway stations and sea-shores, health and hygiene awareness camps and others. Often people ask her what made her belief so strong to walk the spiritual path. She affirms that, “just like the light house guides the ship through darkness of night, our conscience guides us through decisions of life. For a smooth sail, just listen to it!” The drought in Maharashtra had led to an increasing number of farmer suicides and Vasudha decided to contribute towards River Rejuvenation Project in the state. She along with her team revived around 22kms of Manjara river. The river Manjara rejuvenation in Latur District benefited 5 lakh villagers in its vicinity. Vasudha was also a part of the Solar Lamp Project. She was the catalyst in the distribution of solar lamps to flood-hit villagers in Orissa during Fani. Her courage and valour gives her the skill to bring out the right perspective in every project she undertakes. Worry or Uncertainty are not words she rhymes with, Vasudha believes that’s Spiritual knowledge shields the flame of life from the winds of uncertainties. Vasudha is currently working on Project Pavitra. Since its inception this year, the project has imparted menstrual hygiene education to more than 2000 young girls in BMC schools and it aims to reach out to many more. She is also the founding member of SORT Club - Student's organization for Reform and Transformation. The club is now operational in 10 colleges in Mumbai. The project aims to remove the menace of substance abuse from the colleges of India. Vasudha is also working on a Happy Neighbourhood Project. The project aims to establish Happiness centers in societies to make societies stress-free. If you meet her once, you would know that she has a very charming, intuitive, and jovial personality, her ideas and thoughts are ahead of it’s time. Her ability to perceive something new and unique in every individual is what draws people to her company. She gives a very comfortable and cool vibe something young students connect to and find easy to talk and open up to her about their problems. Make impossible, possible is her mantra. Her sessions are filled with grit, humor, inspiration, and some awespiring wisdom. People feel rejuvenated, energetic, experience clarity of thoughts, immense love in their hearts after attending her Mind and Breathe Workshops. Mysteries of life intrigues her and even though she has traveled in 30 countries she found her best place within. She, by herself is a ‘Happiness Express’ moving swiftly on the spiritual path.

2 thoughts on “Udaipur- Not just a city of lakes…

  1. Wow, interesting information!! evoking a lot of interest in me now towards Udaipur and mewari culture 🙂
    Waiting for the part 2!

    In the meanwhile, i think the significance of the tribal and a king together could be, what i remember Narendra Modi talking during his speech at India Today conclave ’13.
    That a transformation (depicted by sun – here) can not be bought alone by a ruler/king.
    You need to involve, make heard and make use of the power of numbers, people (praja).
    Also tribal could signify the culture, while broadening your vision dont forget to deepen your roots in your culture 🙂
    Specially when the culture is as beautiful as ours!

    Maybe its depicting Sangachatwam 🙂

  2. It seemed you truly liked the city palace of Udaipur and expressly the brave history and the planned architecture of the palace. I was reading like i was revisiting the palace from your eyes. There is a lot more in the palace which is very attractive 🙂

    Anyways you have put up a question to be answered on the emblem of Mewar . well as much as i remember the centre picture is a landscape showing fort Chittorgarh and there are two men standing on the both the sides. One is BHIL by cast and the other is the king of Mewar. Now depiction of a Bhil in the main emblem with the king can be astonishing for anybody especially for the people who don’t know about the story behind it. The story can be mix of lot many warfare stories or in short to conclude, Bhil’s were the one who always with their full honesty and devotion stood shoulder to shoulder to their king for lot many fights, especially in the war with Mughals they stood with MAHARANA PRATAP and it was only them who stayed throughout with Maharana Pratap and made him conquest 🙂 And due to all this the Mewari kings respected BHILS and to owner them they constructed the emblem in way that they represented Bhils with the king in the emblem of MEWAR…
    And also in a way indirectly the over al picture portrait that Rajput (King ) and Bhil both will always keep the state safe in come what may any situation …

    This is what i know 🙂

    JAI GURU DEV

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